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Historic Fullnesstowards the end of the 7-year waras a Global Conflict of Modern DimensionThe Change of Government in Englandthreatens the Surviving of Prussia
WILLIAM HOGARTH John Wilkes Esqr. (editor of the North Briton Journal) + The Times or The Political Blaze caused by the Unlawful “General Warrant against Writers, Printers, and Vendors” of the North Briton. 3 sheets. Engravings, 2 of them by Thomas Cook (c. 1744 – London 1818). Inscribed (2). 35.3 x 24.5 and 24.5-25.5 x 31.5-32 cm resp. Wilkes’ (publicist, 1727-1797,
(Meyers Konversations-Lexikon 4th ed. XVI, 648 in great detail and this still after 130 years !) .
(Lichtenberg).
The sitting portrait shows him, little flattering, but true, in determined position with the hat of freedom on top of a long pole. On the little table at his side the notorious No. 45 of the paper tearing to rags the King’s Speech of George III, and the 17th issue in which Wilkes criticized the 1st sheet of Hogarth’s Times. The 2-sheet TIMES set in this context .
The first, published in 1762 – illustration of the Cook version after the copy here in Johansen, Fra Forsyn til Fremsyn, Forsikringens Vesen, Opprinnelse og Utvikling, Oslo 2003, p. 349 – , shows the distributor of the North Briton and the Monitor with a visibly emptied push cart documenting the heavy demand amidst the (political) blaze of those days kindled by Pitt’s resignation
(Orthband, Deutsche Geschichte, 1954, pp. 603 f.). Quite above in the left dormer-window as the quarters of the poor journaille possibly Wilkes himself with a fire-hose directed against the Pitt successor Count Bute as the royal fireman. One of the most concentrated charges by the artist.
The 2nd sheet from 1763 depicting bouncing topsy-turvydom together with the hated Wilkes – wishful presentation in which government and, for quite personal reasons, see above, Hogarth met – with neck and hands in the stocks under the category Defamation, on his breast a North Briton, the purses empty, pissed at. The triumph of justice – freedom , popular fame , and big money for the publisher – caused Hogarth as his widow, too, to hold back the already completed plate. It was published only posthumously by Boydell in 1790 and the impression here from the plate possibly reworked by the Royal engraver James Heath about 1822 of correspondingly good quality. – Résumé : The graphic triad of the artistic contemporary on the scene to the European-German , together global , event of the century .
(Frederick II to his favourite sister Henriette, margravine of Bayreuth). The two Cook versions – in the original format as in none of the later Hogarth editions – in very fine impressions of inevitably wonderful chiaroscuro in TIMES I. The background hatching of the Wilkes portrait illustrating that he is behind bars. The first below, the latter on the left trimmed within the platemark. TIMES I slightly marginally foxing. Its backside certain foxing not showing through into the picture.
– – – The same in Cook’s smaller version of 1809. Subject size 17.7 x 13.4 and 15 x 18.7-19.2 cm resp. – Trimmed within the wide white platemark and here in the outer part time-stained.
– – – The same in steel engraving. C. 1840. 16.2 x 10.8 and 12.5 x 15.5 cm resp.
(Mr. J. G., February 21, 2003) |